meeting in the aisle
is a pretty great radiohead tribute band.
they are playing at silk city tonite at around 10 i think? five bucks to get in. listen here.
they are pretty fucking dead on.
i will be there tonite if anyone wants to say hi.
Comments
But it’s not the band. I mean, what’s the goal here? Perfect replication of the album tracks? Why not just listen to the album then? I go to radiohead shows because a.) they have an incredible stage presence and energy and b.) they tend to vary their songs from the album tracks quite a bit and play with them and make them new.
What good is watching some band that can’t even write their own songs attempt them? They’re not going to have the energy or the inventiveness. All your left with is a headache.
mandy said:the appeal is probably that you can hear the songs live for $5 instead of $200. at a bar instead of a stadium.
i don’t see it this way. but i DO see it this way:
mandy said:it’s cheap, live music. at least you know you’ll hear a lot of songs you like while you’re at a bar without fearing some moron is going to fill up the jukebox playlist with shit for 2 hours.
don’t overthink it, john. it’s not a radiohead show, it’s an inexpensive night out.
with regards to the first comment, i am just so adamantly against large live shows these days. i would love to see R.E.M., but even with them playing the Mann this summer, it’s still way too fucking expensive and large of a venue for me to really appreciate them. i’ve seen them there from the lawn once already. oh, yippee.
i would pay the price of an expensive ticket for a much smaller and intimate venue, or pay much less for a larger one, but not the crappy combination of both.
live music in small bars is awesome. Twilight Sad and Micah P Hinson at Johnny Brenda’s was loud and rocking and one of the best shows i have been to in the past 2 years. i like being able to interact with the performer, buy them a beer afterwards, and get their cd from a box they bring out after they play.
mandy said:live music in small bars is awesome. Twilight Sad and Micah P Hinson at Johnny Brenda’s was loud and rocking and one of the best shows i have been to in the past 2 years. i like being able to interact with the performer, buy them a beer afterwards, and get their cd from a box they bring out after they play.
Right, cause those are the actual performers performing their own songs with heart and conviction and injecting their personality into the songs they wrote. Not a bunch of dudes who meet in a basement every tuesday and thursday to aurally suck Thom Yorke’s dick.
John said:Right, cause those are the actual performers performing their own songs with heart and conviction and injecting their personality into the songs they wrote. Not a bunch of dudes who meet in a basement every tuesday and thursday to aurally suck Thom Yorke’s dick.
i was responding specifically to your comment about not getting the deal with live music, not the radiohead topic-at-hand. i would agree, because most live music that people probably think of is their favourite big bands playing giant shows and watching it on the huge screens above the stage. that kind of live music is usually balls.
Yeah, I shoulda been clearer. I meant the deal with live music getting a free pass just because it’s live music. Like, I wince when I hear someone go “let’s go to such-and-such-a-bar! There’s a band playing!”
So? Who gives a fuck? If anything, that’s a reason NOT to go because chances are they’ll be playing a bunch of songs I hate or ruining the songs I love.
And then there’s the actual bands that I enjoy who just get up on stage and play their songs straight off the album. Booooooring.
I don’t get tribute bands to bands like Radiohead or REM or bands whose fans are a tad more cerebral and enjoy music on a more specific level and who likely still tour. I can see fans of classic rock and metal who enjoy more of a spectacle enjoying them. Not my bag, but I can at least understand people going to see a Zeppelin or Beatles or Guns and Roses tribute bands.
As for live shows in general, yeah I mean unless a band has a great dynamic and moves around a lot or improvises then I’ll enjoy a live show but it’s not overly compelling. Some of the best live performances I’ve ever seen have been by bands or artists whose music I had no interest in but got dragged to see (examples Billy Joel, Bon Jovi, etc.) or who I saw when I was young and into those bandsbut now don’t listen to as much (Aerosmith, Iron Maiden, etc.)because they put 120% of themselves into the shows. Every member of the bands were moving constantly and interacting with the crowd and playing every song faster and more aggresively. It was compelling to watch the performers do what they do and to see the crowd react to it regardless of the sounds coming out of the speakers. It was definitely visually and sonically engaging and it must have taken a shit ton of work for these performers to learn to both play the music they were playing well and also do everything else that they were doing. On the other hand some of my favorite bands recorded have bored me to tears live. And not to gratuitously counter John and Radiohead as I often do and which is at least 75% of the time just calculated internet message board shtick, but Radiohead is a prime example. I’m moderately into their music in general so I’m neither an unconverted hater, nor a blindly allegiant fan. But when I saw them early on after Pablo Honey they were the former type of band I described. They moved around constantly, they engaged the crowd as part of what they were doing, they played every song faster and with more passion and they poured gallons of sweat into it. I wasn’t a fan beforehand but they won me over. When I saw them on later tours they were barely half as active and half as mobile, they played the songs more or less how they were on record (if anything slower), and unless you were a 120% already converted fan of theirs there was absolutely nothing you would see that would change your mind. I know John disagrees with me on this, and we agree to disagree. And when I chide him on their recorded output it’s largely gratuitous shtick. But when I talk about the difference in those live shows it’s 100% sincere and true and where I would say his bias makes him an untrustable eyewitness.
Paris said:
Remember “Final Countdown� night?
Exactly.
Paris and I met up with an old acquaintance one time and went to his favorite bar. There, two unbelievably hot scene bartender chicks would make you a terrible (free) shot if you put on “The Final Countdown.”
The last one they made us was so bad our friend almost threw up upon smelling it. I had his and mine, just to show him up. Then, outside, we made him gag worse by describing key scenes from “Two Girls, One Cup.”
It was a helluva time.
(Paris: Don’t tell them where it was… that’s our bad free shot secret.)
I’ve seen those countless of times and those clips are pretty indicative of how they are live. I’m just not sure what’s compelling about any of it. Watching him twitch around up there is not anything that makes the performance in any way better since the song more or less plays the same way it does on record. And the other dudes just kind of stand there. Horrible? Not at all. And there are many more boring live bands out there (I’m looking in your direction Interpol). But Nu-Radiohead are in no way an amazing live band for someone not already completely enamored of their music, which I think is the true test of a great live band. Let me use the flip example of 2 of your other favorite bands. Nine Inch Nails and Tool both do nothing for me recorded. In fact they do much less for me recorded than Radiohead does. In Tool’s case their records downright put me to sleep. However I’ve seen both bands live several times and they are both AMAZING live acts. Spectacles in every way and total heart and soul performances that do not in any way rely on an enjoyment of or familiarity with the bands music to appreciate.